Thursday, 17 March 2011

Yoghurt

     I understand blood, and I understand pain
     There can be no life without it: never doubt it, brother
     I'm a mother
        - Chrissie Hynde, "Mother"

"So would you like a wee brother or a wee sister?" asks the checkout lady, with a slightly lilting tone. She's a mischievous and unmaliciously cynical woman in her early forties, very worldly-wise, always cracking offhand jokes and making customers laugh in a way I really like. Anyone venturing even a giggle in reply had better be ready to be answered with a cackle that's almost a trademark of the store, but all she gets from the wee boy is a thoughful silence as he solemnly returns the chocolate bars to the display, surely what she had in mind anyway. A smart cookie, this woman. I nearly went to the younger woman on the other till but now I'm glad I deferred doing that. The best shouldn't enemy the good.

"None of the above," I offer, before anyone else thinks of it. I'm rewarded with a quick, wicked flash of the eyes from the woman and a slightly awkward laugh from the mother (and mother-to-be) too, back from scanning the magazine shelves with unwise inattention while she waited for me to pay. I haven't bought much: I'm single. She's buying plenty, but no magazines. The difference between TWIX and SEX is that SEX, always the largest word on almost every cover, isn't actually provided inside women's magazines (or men's for that matter) so grabbing them off the shelves doesn't work. Besides: the horror. Not a problem with chocolate, unless you count bathroom scales delivering their inevitable verdict.

"You'll leave those alone, we've yoghurts for later," seems to stop further attempts to increase the family shopping bill, or perhaps it's being reminded that it won't be me-me-me for much longer. Or not just me-me-me. My mother says I didn't take it very well either. A wee sister, by the way.

Sisters are supposed to help you with girls, but mine never did. Or maybe that's just older sisters, I don't remember. Even if not, this kid is far too young to be interested in much apart from chocolate, and even after that he'll be pulling legs off spiders for quite a while before pulling knickers off legs takes priority.

I think of something else and have to suppress a snort. The checkout woman's sharp up-look: not unfriendly, but alert - even suspicious - precludes a smile and a shake of the head. I can't share it though, it's too.. too much. I evade with a sotto voce "Get in!", still playing the boy. It's weak cos it's been too long, but it's enough. I'm not really a wit and she knows it. Her smile isn't false when she hands me my change.

According to another, slightly more up-market women's magazine (but not up-market enough not to have SEX in huge letters on the cover), wearing knickers made of nylon rather than cotton may have been the cause of a problem years ago for which yoghurt again provided the solution. In a memorable phrase my then-girlfriend's magazine also explained that "a partner can help you do this". As I was her's, I helped her: also memorably. The magazine didn't say how much yoghurt you'd need, but natural yoghurt isn't and wasn't pricey, even on a student budget. I bought loads. If we'd known what we were doing it would have been ludicrously excessive, but because neither of us had a clue we didn't anticipate that, even with her lying on her back, hardly any of what I applied to the affected area with much careful and dilligent spoonwork would stay there. Nor did we anticipate the ferocity with which it would escape, or the surprisingly contemptuous sound effects accompanying its rejection. We were both in absolute, well, hysterics.

Eventually we declared a partial victory and agreed, still sniggering, to try again the next day with more time and a warmer spoon. Or series of warmer spoons. Or just warmer yoghurt. A more sensitive partner than me might have twigged that there therefore wasn't much point leaving the existing spoon in the pot given that the pot would be spending the night in the fridge, but I've never threatened records on that score. I'd already bought her some new cotton underwear though, but (for my blushes) not at the same time as the yoghurt. Not that I could have: back then supermarkets didn't sell clothes. She wore one pair under her hired gown that evening to the hall revue, and I took them off for her later that night before we stepped together into a warm shower. Lo-and-behold: problem solved.

I quite fancy the woman on the other till so I'm hoping she's not married, whereas I know the first one is because her husband works away a lot and she's never really the same when he's not around. Just as irrepressible, but the twinkle's missing. I guess that's love, right? Or three kids, or something. But the other one is sweet. I was thinking of telling her as much, or at least a little of that much, before trying "Have you got a boyfriend?" and being ready to reply with "Would you like one?" or "Would you like another one?" as appropriate. But if she'd fired back with that her husband wouldn't be keen - note the crucial difference between wouldn't and won't in that reply - I wouldn't have had an answer ready, so I took the shorter queue and the coward's way out. Besides: the horror, the horror.

Years later we told our yoghurt story in the pub, riffing off each other a bit to keep the table guessing, and another bloke topped it with an even better story, far more and far too disgusting to record, which he said afterwords he'd never told anyone else and wouldn't have done that night either if we hadn't spun our's out so well. Later I found out they were sleeping together. But that surely wasn't why she was doubled-up with belly-laughter, totally incapable, very nearly knocking her drink all over the floor. I was laughing as well, but nothing like as hard. I didn't know about them, then, but I knew it was over: I hadn't heard her laugh like that in ages.

I usually get twenty quid out before I buy groceries and the time before last my total was £19.72, the year of my birth, which I mentioned, stupidly, to the woman I like: if she likes me she won't reveal her age yet. Anyway, last time it was £19.85: halfway through Thatcher, not that long after the miner's strike (my cousin Andy was a miner, then) and the Falklands; me in school, hating it but working hard anyway to make mum happy. I remember the time, but nothing about the specific year, so I couldn't think of anything to say about that. Nor did I think to glance at her ring finger: I'll do that next time.

Outside in the car park a lady is backing a 4x4 out of a parent-and-child space with an endless agony of cycles of the clutch and accelerator, making at best three inches progress at a time. As always I wonder why people don't reverse in, and why they buy cars they can't manoeuvre. Years ago my best mate's dad bought a second-hand Volvo estate in a dreadful mid-yellow vomit colour (I asked mine why he didn't get one: "If I still wanted to drive a tank I'd have stayed in the army", which was funny even before it became normal to see army vehicles coloured like sand - we were up against the Ordinary Decent Terrorists of the IRA in those days.) Mr Stevens had plank-set two neat wheel-strips of concrete along his driveway specially, and watching him back up and down in terror of dropping a tyre onto the pea-shingle was usually good for a laugh. But at least he'd reverse in. Was that 1985? No idea, but five or six years before Desert Storm sounds about right; I joined up after I graduated, so not in time for that one.

It's raining a bit but the clounds don't look too threatening, so, with the weight of the food I've bought pulling my shoulder-straps and pressing into the small of my back, I head diagonally across the car park towards the promenade. I much prefer to walk the long way home unless it's really sheeting down, and I actually quite like light, gentle rain.

"Saaarge! Hey, Saaarge! Look at this! Guys, look at this! Look at THIS!" For a split-second I'm distracted by an unlikely detail in the image, before I realise that the smear of blood between the model's legs isn't part of the picture, or rather isn't meant to be. "I thought rags didn't approve!!!" Jonesey's ecstatic face is bulging and twisting, distorting as if he's trying to accomodate some divine revelation, some joyous, vital, transcendental truth he alone can impart to all mankind, but Sgt Mitchell is no more impressed than I am (as he begins to make very clear to the crestfallen Private) and I'm already turning slowly on my heel towards the sun, squinting, scanning the cloudless sky. Only the fierce, fierce heat is moving the air; the mirage-glare from the sand is impossibly bright, and we've all of us here witnessed enough pornography for any day.

Needless to say I didn't have to take the spoon out of the pot, or the pot from the fridge, because the next morning the pot was in, not the fridge, but the bin. And the spoon had been washed. But I bet it wasn't when some drunken prat ate the yoghurt. Or a pratess, even, who might yet have stolen it for the same reason I bought it. We laughed at that, too.

[[[ Twix is a trademark of some chocolate company. -M ]]]

Conjuring Works

"Conjuring Works" - an Elizabethan comedy sketch in two scenes.
     (adapted from "Doctor Faustus" by Christopher Marlowe.)

Cast:
       (in both scenes)
     ROBIN, a stable-hand (70ish lines)
     DICK, his assistant (30ish lines)

       (in second scene only)
     The VINTNER, a publican (15 lines)
     MEPHISTOPHILES, a demon (12 lines)


-- [first scene: a field]


          [Enter ROBIN, with a book in his hand.]

     ROBIN. O, this is admirable! Here I ha' stolen one of Doctor
     Faustus' conjuring-books, and, i'faith, I mean to search some
     circles for my own use. Now will I make all the maidens in our
     parish dance at my pleasure, stark naked, before me; and so
     by that means I shall see more than e'er I felt or saw yet.

     DICK. [off] Robin, prithee, come away; there's a gentleman tarries
     to have his horse, and he would have his things rubbed and made
     clean. He keeps such a chafing with the mistress about it, and
     she has sent me to look thee out: prithee, come away!

     ROBIN. What, Dick? Look to the horses there, till I come again.
     I have gotten one of Doctor Faustus' conjuring-books; and now
     we'll have such knavery as't passes.

          [Enter DICK.]

     DICK. What? Robin, you must come away and walk the horses.

     ROBIN. I walk the horses! I scorn't, faith: I have other
     matters in hand; let the horses walk themselves, if they will.
     [reads] A, per se: A;.. T-H-E: that's THE;.. O, per se: O;
     Demi, orgon, gorgon.. [realises DICK is looking over his shoulder]
     Keep further from me, O thou illiterate and unlearned 'ostler!

     DICK. 'Snails, what hast thou got there? A book! Why, thou canst
     not tell ne'er a word on't.

     ROBIN. Keep out, keep out, or else you are blown up, you are
     dismembered, Dick! Keep out, for I am about a roaring piece of work.

     DICK. Come, what doest thou with that same book? Thou canst not read.

     ROBIN. Yes, the master and mistress shall find that I can read: he
     for his forehead [=he'll be jealous], she for her private study [=she
     won't menstruate]. She's born to bear with me, or else my art fails.

     DICK. Why, Robin, what book is that?

     ROBIN. What book? Why, the most intolerable book for conjuring
     that e'er was invented by any brimstone devil.

     DICK. Canst thou conjure with it?

     ROBIN. [drawing a circle on the ground] That thou shalt see presently.
     Keep out of the circle, I say, lest I send you into the 'ostry with a
     vengeance.

     DICK. [sarcastic] That's like, faith! You had best leave your foolery,
     for, if the master come, he'll conjure you, i'faith.

     ROBIN. My master conjure me! I'll tell thee what: if the master
     come here, I'll clap as fair a pair of horns on's head as
     e'er thou sawest in thy life.

     DICK. Thou need'st not do that, for the mistress hath done it. But,
     I prithee, tell me in good sadness, Robin, is that a conjuring-book?

     ROBIN. Ay. I can do all these things easily with it: first, I can
     make thee drunk with hippocras at any tavern in Europe for nothing;
     that's one of my conjuring works.

     DICK. Our Master Parson says that's nothing.
     [=over-drinking and non-payment is rife anyway]

     ROBIN. True, Dick, and more, Dick, if thou hast any mind to
     Nancy Spit, our kitchen-maid, then turn her and wind her
     to thy own use, as often as thou wilt, and at midnight.

     DICK. O, brave, Robin! Shall I have Nan Spit, and to mine own use?
     On that condition I'll feed thy devil with horse-bread as long
     as he lives, of free cost.

     ROBIN. No more, sweet Dick: Do but speak what thou'lt have me to do,
     and I'll do't: if thou'lt dance naked, put off thy clothes, and I'll
     conjure thee about presently; or, if thou'lt go but to the tavern
     with me, I'll give thee white wine, red wine, claret-wine, sack,
     muscadine, malmsey, and whippincrust..
     [presses hand to stomach] hold, belly, hold
     ..and we'll not pay one penny for it.

     DICK. O, brave! Prithee, let's to it presently, for I am as
     dry as a dog.

     ROBIN. Come, then, let's away. Let's go and make clean our boots,
     which lie foul upon our hands, and then to our conjuring in the
     devil's name.

          [Exeunt.]


-- [second scene: another field, later]


          [Enter ROBIN reading a book and DICK with a silver goblet.]

     ROBIN. Come, Dick: did not I tell thee, we were forever made
     by this Doctor Faustus' book?

     DICK. Sirrah Robin, we were best look that your devil can answer
     the stealing of this same cup, for the Vintner's boy follows
     us at the hard heels.

     ROBIN. [of the book] Here's a simple purchase for horse-keepers;
     our horses shall eat no hay as long as this lasts.

     DICK. But, Robin, here comes the Vintner.

     ROBIN. 'Tis no matter; let him come: if he follow us, I'll so
     conjure him as he was never conjured in his life, I warrant him.
     [closes book] Let me see the cup.

     DICK. Here 'tis. [Gives the goblet to ROBIN.] Yonder he comes!
     Now, Robin, now or never show thy cunning.

     ROBIN. Hush! [Hides goblet.] I'll gull him supernaturally.

          [Enter VINTNER.]

     Drawer, I hope all is paid; God be with you!--Come, Dick.

     VINTNER. Soft, sir; a word with you. I must yet have a goblet paid
     from you, ere you go.

     ROBIN. I a goblet, Dick, I a goblet! I scorn you; and you are
     but a slanderer. I a goblet!

     VINTNER. [sarcastic] You are a couple of fine companions.
     Pray, where's the cup you stole from the tavern?

     ROBIN. How, how? We steal a cup?! Take heed what you say: we look
     not like cup-stealers, I can tell you.

     VINTNER. Never deny't, for I know you have it; and I'll search you.

     ROBIN. Search me, ay, and spare not.

     VINTNER. I mean so, sir, with your favour.

     ROBIN. Come, come, search me, search me hither.

          [VINTNER searches ROBIN from feet; ROBIN throws goblet to DICK.]

     How say you now?

     VINTNER. I must say somewhat to your fellow. [to DICK] You, sir!
     Come on, sirrah, let me search you now.

     DICK. Me, sir? Me, sir? Search your fill.

          [VINTNER searches DICK from feet; DICK throws goblet to ROBIN.]

     I fear not your searching: we scorn to steal your cups, I can
     tell you.

          [VINTNER finishes searching DICK.]

     Now, sir, you may be ashamed to burden honest men with a matter
     of truth.

     VINTNER. [less sure] Well, one of you hath this goblet about you.

     ROBIN. Sirrah you, I'll teach you to impeach honest men; stand by:
     I'll scour you for a goblet.

     VINTNER. [angrily] Never out-face me for the matter; for, sure, the
     cup is between you two.

     ROBIN. Nay, there you lie: [holds goblet ahead] 'tis beyond us both.

     VINTNER. A plague take you! I thought 'twas your knavery to take
     it away: Come, give it me again.

     ROBIN. Stand aside you had best, I charge you in the name of Beelzebub.
     Look to the goblet, Dick. [Throws goblet to DICK and opens book.]

     VINTNER. [to ROBIN] What mean you, sirrah?

     ROBIN. I'll tell you what I mean.--Dick, make me a circle, and stand
     close at my back, and stir not for thy life. [DICK makes a circle etc]
     Vintner, [threatens] you shall have your cup anon!--Say nothing, Dick.
     [Reads from book] O per se, O; Demogorgon; Belcher, and Mephistophiles!

          [Squibs. Enter MEPHISTOPHILES. ROBIN and DICK cry and run about.]

     VINTNER. [crossing himself] O, nomine Domini! [=By name of our lord!]

          [VINTNER falls to knees and begins praying.]

     DICK. Peccatum peccatorum!--Here's thy goblet, good Vintner. [Drops
     goblet near VINTNER]

     ROBIN. Misericordia pro nobis! What shall I do? Good devil, forgive
     me now, [kneels, offering book] and I'll never rob thy library more.

     MEPHIST. Monarch of Hell, under whose black survey
     Great potentates do kneel with awful fear,
     Upon whose altars thousand souls do lie,
     How am I vexed with these villains' charms?
     From Constantinople am I hither come,
     Only for pleasure of [taking book, contemptuous] these damned slaves.

     ROBIN. How, from Constantinople?! You have had a great journey: will
     you take sixpence in your purse to pay for your supper, and be gone?
     [Stands and reaches into pocket for money.]

     DICK. [already kneeling, prostrates himself] Ay, I pray you heartily,
     sir; for we called you but in jest, I promise you.

     MEPHIST. [ignoring money] To purge the rashness of this cursed deed,
     First, [to ROBIN] be thou turn'd awhile this ugly shape:
     For apish deeds transformed to an ape!

          [ROBIN takes the stance of an ape; DICK kneels, praying.]

     ROBIN. How, into an ape! That's brave: I'll have fine sport with
     the boys; I'll get nuts and apples enough.

     MEPHIST. [to DICK, ie ignoring VINTNER] Be thou transformed to a dog!

          [DICK takes the stance of a dog. DICK barks and ROBIN whoops.]

     [to each] Away! Be gone!

     DICK. A dog! That's excellent: let the maids look well to their
     porridge-pots, for I'll into the kitchen presently.

     ROBIN. Come, Dick, come.

          [Exit ROBIN and DICK as animals.]

     MEPHIST. Now with the fire of ever-burning flame
     I'll wing myself, and forthwith fly again.

          [Squibs. Exit MEPHIST.]

          [VINTNER looks up and about, grabs goblet, exits.]


-- [end]

Tuesday, 16 March 2010

The Acquiesce of Lady Anne

THE ACQUIESCE OF LADY ANNE
by WILLIAM SHAKESPEARE
ed MAHER COEN
SCENE: London. A sepulchre.
Enter GLOUCESTER, solus
GLOUCESTER
Now is the winter of our discontent
Made glorious summer by the sun of York;
And all the clouds that lour'd on our house
In the deep bosom of the ocean buried.
Now are our brows bound with victorious wreaths;
Our bruised arms hung up for monuments;
Our stern alarums changed to merry meetings,
Our dreadful marches to delightful measures.
Grim-visaged war hath smooth'd his wrinkled front;
And now, instead of mounting barbed steeds
To fright the souls of fearful adversaries,
He capers nimbly in a lady's chamber
To the lascivious pleasing of a lute.
But I, that am not shape'd for sportive tricks,
Nor made to court an amorous looking-glass;
I, that am rudely stamp'd, and want love's majesty
To strut before a wanton ambling nymph;
I, that am curtail'd of this fair proportion,
Cheated of feature by dissembling nature,
Deform'd, unfinish'd, sent before my time
Into this breathing world, scarce half made up,
And that so lamely and unfashionable
That dogs bark at me as I halt by them;
Why, I, in this weak, piping time of peace,
Have no delight to pass away the time,
Unless to spy my shadow in the sun
And descant on mine own deformity:
Because I cannot flatter and look fair,
Smile in men's faces, smooth, deceive and cog,
Duck with French nods and apish courtesy,
I must be held a rancorous enemy.
Cannot a plain man live and think no harm,
But that his simple truth must be abused
By silken, sly, insinuating Jacks?
And therefore, since I cannot prove a lover,
To entertain these fair well-spoken days,
I am determined to prove a villain
And hate the idle pleasures of these days.
Plots have I laid, inductions dangerous,
By drunken prophecies, libels and dreams,
To set my brother Clarence and the king
In deadly hate the one against the other:
And if King Edward be as true and just
As I am subtle, false and treacherous,
This day should Clarence closely be lock'd up,
About a prophecy, which says that 'G'
Of Edward's heirs a murderer shall be;
That by a 'G' Edward's children disinherited should be;
And, for Clarence' name of George begins with G,
It follows in his mind that George is he...
Well, the King is sickly, weak and melancholy,
His physicians fear him mightily.
He cannot live, I hope; yet must not die
Till George be pack'd with post-horse up to heaven.
I'll in, to urge his hatred more to Clarence,
With lies well steel'd with weighty arguments;
And, if I fall not in my deep intent,
Clarence hath not another day to live:
Which done, God take King Edward to his mercy,
And leave the world for me to bustle in!
For then I'll marry Anne Neville,
Warwick's youngest daughter.
What, that I kill'd her husband?
And his father. No matter:
The readiest way to make that wench amends
Is to become her husband and a father:
The which will I; not all so much for love
As for another secret close intent,
By marrying her which I must reach unto.
But yet I run before my horse to market:
Clarence still breathes; Edward still lives and reigns:
When they are gone, then must I count my gains.
Dive, thoughts, down to my soul: here Anne comes.
Exit GLOUCESTER
Enter the corpse of King Henry the Sixth,
carried by
TRESSEL and BERKELEY and led by LADY ANNE
LADY ANNE
Set down, set down your honourable load,
If honour may be shrouded in a hearse,
Whilst I awhile obsequiously lament
The untimely fall of virtuous Lancaster.
Poor key-cold figure of a holy king!
Pale ashes of the house of Lancaster!
Thou bloodless remnant of that royal blood!
Be it lawful that I invocate thy ghost,
To hear the lamentations of Poor Anne,
Wife to thy Edward, to thy slaughter'd son,
Stabb'd by the selfsame hand that made these wounds!
Lo, in these windows that let forth thy life,
I pour the helpless balm of my poor eyes.
O, cursed be the hand that made these holes!
Curs'd the heart that had the heart to do it!
Curs'd the blood that let this blood from hence!
More direful hap betide that hated wretch,
That makes us wretched by the death of thee,
Than I can wish to adders, spiders, toads,
Or any creeping venom'd thing that lives!
If ever he have child, abortive be it,
Prodigious, and untimely brought to light,
Whose ugly and unnatural aspect
May fright the hopeful mother at the view;
And that be heir to his unhappiness!
If ever he have wife, let her he made
More miserable by the life of him
Than I am by the death of my young lord and thee!
Come, now towards Chertsey with your holy load.
Enter GLOUCESTER
GLOUCESTER
Stay, you that bear the corse, and set it down.
LADY ANNE
What black magician conjures up this fiend,
To stop devoted charitable deeds?
GLOUCESTER
Villains, set down the corse; or, by Saint Paul,
I'll make a corse of him that disobeys.
TRESSEL
My lord, stand back, and let the coffin pass.
GLOUCESTER
Unmanner'd dog! stand thou, when I command:
Advance thy weapon higher than my breast,
Or, by Saint Paul, I'll strike thee to my foot,
And spurn upon thee, beggar, for thy boldness.
LADY ANNE
What, do you tremble? are you all afraid?
Alas, I blame you not; for you are mortal,
And mortal eyes cannot endure the devil.
Avaunt, thou dreadful minister of hell!
Thou hadst but power over his mortal body,
His soul thou canst not have; therefore be gone.
GLOUCESTER
Sweet saint, for charity, be not so curst.
LADY ANNE
Foul devil, for God's sake, hence, and trouble us not;
For thou hast made the happy earth thy hell,
Fill'd it with cursing cries and deep exclaims.
If thou delight to view thy heinous deeds,
Behold this pattern of thy butcheries.
O, gentlemen, see, see! dead Henry's wounds
Open their congealed mouths and bleed afresh!
Blush, Blush, thou lump of foul deformity;
For 'tis thy presence that exhales this blood
From cold and empty veins, where no blood dwells;
Thy deed, inhuman and unnatural,
Provokes this deluge most unnatural.
O God, which this blood made'st, revenge his death!
Or earth, which this blood drink'st, revenge his death!
Either heaven with lightning strike the murderer dead,
Or earth, gape open wide and eat him quick,
As thou dost swallow up this good king's blood
Which his hell-govern'd arm hath butcher'd!
GLOUCESTER
Lady, you know no rules of charity,
Which renders good for bad, blessings for curses.
LADY ANNE
Villain, thou know'st no law of God nor man:
No beast so fierce but knows some touch of pity.
GLOUCESTER
But I know none, and therefore am no beast.
LADY ANNE
O wonderful, when devils tell the truth!
GLOUCESTER
More wonderful, when angels are so angry.
Vouchsafe, divine perfection of a woman,
Of these supposed-evils, to give me leave,
By circumstance, but to acquit myself.
LADY ANNE
Vouchsafe, defused infection of a man,
For these known evils, but to give me leave,
By circumstance, to curse thy hated self.
GLOUCESTER
Fairer than tongue can name thee, let me have
Some patient leisure to excuse myself.
LADY ANNE
Fouler than heart can think thee, thou canst make
No excuse current, but to hang thyself.
GLOUCESTER
By such despair, I should accuse myself
LADY ANNE
And, by despairing, shouldst thou stand excused;
For doing worthy vengeance on thyself,
Which didst unworthy slaughter upon others.
GLOUCESTER
Say that I slew them not?
LADY ANNE
Why, then they are not dead:
But slain they are, and devilish slave, by thee.
GLOUCESTER
I did not kill your husband.
LADY ANNE
Why, then he is alive.
GLOUCESTER
Nay, he is dead; and slain by Edward's hand.
LADY ANNE
In thy foul throat thou liest: Queen Margaret saw
Thy murderous falchion smoking in his blood;
The which thou once didst bend against her breast,
But that thy brothers beat aside the point.
GLOUCESTER
I was provoked by her slanderous tongue,
which laid their guilt upon my guiltless shoulders.
LADY ANNE
Thou wast provoked by thy bloody mind.
Which never dreamt on aught but butcheries:
Didst thou not kill this king?
GLOUCESTER
I grant ye.
LADY ANNE
Dost grant me, hedgehog? Then God grant me too
Thou mayst be damned for that wicked deed!
For he was gentle, mild, and virtuous!
GLOUCESTER
The fitter for the King of heaven, that hath him.
LADY ANNE
He is in heaven, where thou shalt never come.
GLOUCESTER
Let him thank me then, that help'd to send him there;
For he was fitter for that place than earth.
LADY ANNE
As thou unfit for any place but hell.
GLOUCESTER
Yes, one place else, if you will hear me name it.
LADY ANNE
Some dungeon.
GLOUCESTER
Your bed-chamber.
LADY ANNE
O, I'll rest betide the chamber where thou liest!
GLOUCESTER
So will I, madam till I lie with you.
LADY ANNE
I hope so.
GLOUCESTER
I know so. But, gentle Lady Anne,
To leave this keen encounter of our wits,
And fall somewhat into a slower method,
Is not the causer of th'untimely deaths
Of these Plantagenets, Henry and Edward,
As blameful as the executioner?
LADY ANNE
Thou wast the cause, and most accurs'd effect.
GLOUCESTER
Your beauty was the cause of that effect;
Your beauty: which did haunt me in my sleep
To undertake the death of all the world,
That I might live one hour in your sweet bosom.
LADY ANNE
If I thought that, I tell thee, homicide,
These nails should rend that beauty from my cheeks.
GLOUCESTER
These eyes could not endure that beauty's wreck;
You should not blemish it if I stood by:
As all the world is cheered by the sun,
So I by that; it is my day, my life.
LADY ANNE
Black night overshade thy day, and death thy life!
GLOUCESTER
Curse not thyself, fair creature. Thou art both.
LADY ANNE
I would I were, to be reveng'd on thee.
GLOUCESTER
It is a quarrel most unnatural,
To be reveng'd on him that loveth you.
LADY ANNE
It is a quarrel just and reasonable,
To be reveng'd on him that slew my husband.
GLOUCESTER
He that bereft thee, lady, of thy husband,
Did it to help thee to a better husband.
LADY ANNE
His better doth not breathe upon the earth.
GLOUCESTER
Not so: he lives that loves thee better yet.
LADY ANNE
Name him.
GLOUCESTER
Plantagenet.
LADY ANNE
Why, that was he.
GLOUCESTER
The selfsame name, but yet superior.
LADY ANNE
Where is he?
GLOUCESTER
Here.
She spitteth at him
Why dost thou spit at me?
LADY ANNE
Would it were mortal poison, for thy sake!
GLOUCESTER
Never came poison from so sweet a place.
LADY ANNE
Never hung poison on a fouler toad.
Out of my sight! thou dost infect my eyes.
GLOUCESTER
Thine eyes, sweet lady, have infected mine.
LADY ANNE
Would they had the power to strike thee dead!
GLOUCESTER
I would they had, that I might die at once;
For now they kill me with a living death.
Those eyes of thine from mine have drawn salt tears,
Sham'd their aspect with store of childish drops:
These eyes that never shed remorseful tear,
No, when my father York and Edward wept,
To hear the piteous moan that Rutland made
When black-faced Clifford shook his sword at him;
Nor when thy warlike father, like a child,
Told the sad story of my father's death,
And twenty times made pause to sob and weep,
That all the standers-by had wet their cheeks
Like trees bedash'd with rain: in that sad time
My manly eyes did scorn an humble tear;
And what those sorrows could not thence exhale,
Thy beauty hath, and made them blind with weeping.
I never sued to friend nor enemy;
My tongue could never learn sweet smoothing word;
But now thy beauty is propos'd my fee,
My proud heart sues, and prompts my tongue to speak.
She looks scornfully at him
Teach not thy lips such scorn, for they were made
For kissing, lady, not for such contempt.
If thy revengeful heart cannot forgive,
Lo, here I lend thee this sharp-pointed sword;
Which if thou please to hide in this true breast.
And let the soul forth that adoreth thee,
I lay it naked to the deadly stroke,
And humbly beg the death upon my knee.
He lays his breast open: she offers at it with his sword
Nay, do not pause; for I did kill King Henry,
But 'twas thy beauty that provok'd me.
Nay, now dispatch; 'twas I that stabb'd young Edward,
But 'twas thy heavenly face that set me on.
Here she lets fall the sword
Take up the sword again, or take up me.
LADY ANNE
Arise, dissembler: though I wish thy death,
I will not be the executioner.
GLOUCESTER
Then bid me kill myself, and I will do it.
LADY ANNE
I have already.
GLOUCESTER
But that was in thy rage:
Speak it again, and even with the word,
This hand, which, for thy love, did kill thy love,
Shall, for thy love, kill a far truer love;
To both their deaths thou shalt be accessary.
LADY ANNE
I would I knew thy heart.
GLOUCESTER
'Tis figured in my tongue.
LADY ANNE
I fear me both are false.
GLOUCESTER
Then never was man true.
LADY ANNE
Well.., well, put up your sword.
GLOUCESTER
Say then my peace is made?
LADY ANNE
That shall you know hereafter.
GLOUCESTER
But shall I live in hope?
LADY ANNE
All men, I hope, live so.
GLOUCESTER
Vouchsafe to wear this ring.
LADY ANNE
To take is not to give.
GLOUCESTER
Look how my ring encompasseth thy finger.
Even so thy breast encloseth my poor heart;
Wear both of them, for both of them are thine.
And if thy poor devoted suppliant may
But beg one favour at thy gracious hand,
Thou dost confirm his happiness for ever.
LADY ANNE
What is it?
GLOUCESTER
That it would please thee to leave these sad designs
To him that hath most cause to be a mourner,
And presently repair to Crosby Place;
Where, after I have solemnly interr'd
At Chertsey monastery this noble king,
And wet his grave with my repentant tears,
I will with all expedient duty see you:
For diverse unknown reasons. I beseech you,
Grant me this boon.
LADY ANNE
With all my heart; and much it joys me too,
To see you are become so penitent.
Tressel and Berkeley, go along with me.
GLOUCESTER
Bid me farewell.
LADY ANNE
'Tis more than you deserve;
But since you teach me how to flatter you,
Imagine I have said farewell already.
Exeunt all but GLOUCESTER
GLOUCESTER
Was ever woman in this humour woo'd?
Was ever woman in this humour won?
I'll have her; but I will not keep her long.
What, I? That kill'd her husband and his father,
To take her in her heart's extremest hate,
With curses in her mouth, tears in her eyes,
The bleeding witness of her hatred by;
Having God, her conscience, and these bars against me,
And I nothing to back my suit at all,
But the plain devil and dissembling looks,
And yet to win her, all the world to nothing!
Hath she forgot already that brave prince,
Edward, her lord, whom I, some three months since,
Stabb'd in my angry mood at Tewksbury?
A sweeter and a lovelier gentleman,
Framed in the prodigality of nature,
Young, valiant, wise, and, no doubt, right royal,
The spacious world cannot again afford
And will she yet abase her eyes on me,
That cropp'd the golden prime of her sweet prince,
And made her widow to a woeful bed?
On me, whose all not equals Edward's modesty?
On me, that halts and am misshapen thus?
My dukedom to a beggarly denier,
I do mistake my person all this while:
Upon my life, she finds, though I cannot,
Myself to be a marvellous proper man.
I'll be at charges for a looking-glass,
And retain a score or two of tailors,
To study fashions to adorn my body:
Since I am crept in favour with myself,
I will maintain it at some little cost.
But first I'll turn yon fellow in his grave;
And then return lamenting to my love.
Shine out, fair sun, till I have bought a glass,
That I may see my shadow as I pass.
Exit
END

Saturday, 4 April 2009

Challenge Dice

Challenge Dice is a family of games played with a standard set of five poker dice. The simplest variation is Forfeit Dice, where losers pay a simple forfeit and roll again (this is basically a drinking game), but rules 7 and 8 suggest variations:

--

1. The first player rolls all five dice: this is the out-roll. Rolls are ranked as in poker, except that there are no straights or flushes, and that five-of-a-kind is possible too, of course, ie: five aces is the best possible roll; if you're passed this, just re-roll one of them and hope! (see rule 3, below)

2. Britishers will (correctly) rank five 6s on standard (pitted) dice as the highest hand; Americans may be tempted to rank five 1s, but this is only correct of true poker dice (9TJQKA), not pitted dice. Agree this before you play.

3. On every roll, the roller must meet a challenge: on the outroll, the challenge is to roll a pair or better. Subsequently (a re-roll), the challenge is to BEAT or REPEAT the previous roll. Re-rollers need not roll all five dice, but they must roll at least one of them.

4. If the outroller fails to roll even a pair, the roll is a 'bust': the outroller pays the forfeit and rolls-out again. If a re-roller fails to (at least) equal the previous roll, they pay the forfeit and also become the next outroller.

(Aside: Outrolls bust about 10% of the time. So there's a 1% chance the first player in a two-counter 'short' game (see below) will go bankrupt without even having had the choice of passing the dice to the player to their left. Too bad..)

5. After a successful roll, players may either challenge themselves, or challenge the player to their left. To challenge themselves, players simply re-roll one or more of the dice and hope not to worsen their previous roll. To challenge the next player they announce that they are 'passing' the dice as shown.

6. As a point of etiquette, players should announce and show what they are re-rolling before they pick up those dice.

7. Typical forfeits include being forced to drink a measure of alcohol, or to pay a fine to the kitty (until the meal is paid for, say), or directly to the player on their right (NB: always opposite to the direction the dice are passed). Forfeiters always become the outroller unless they have no more money, in which case the player to their left becomes the next outroller. In this case, the other players may 'bank' (pocket, withdraw) one counter if they now have more than they started with.

(Aside: Traditionally, the new outroller asks if there are any 'bankers?', and the bankers say 'yeah..' sheepishly as they pocket the coin. The 'b' of bankers is often given a Japanese inflection, too.)

8. If the game is played for money, usually two or three equal coins are staked by each player. These are known as the 'short game' and 'long game' respectively, not without reason. Alternatively, lots may be drawn to see who outrolls a short game, and the next (leftward) player given the option to play long (three coins, them only) or short (two, like the others) before the first outroll.

--

If you skimmed all that, the interesting rule is #5, where most of the skill enters the picture. It doesn't take much wit to see that if you're passed, say, AAAA9, you'd keep the aces and re-roll the 9. It takes slightly more savvy to draw the implication from the obvious point that, if you rolled a 9 again, you'd keep rolling it until you didn't, because you can't possibly go bust. (You might even risk re-rolling a Ten, too, depending on the number of players..)

Just like poker, the two-player version isn't really worth bothering with except as practice, or unless there's a hell of a lot of money at stake.

Saturday, 28 March 2009

A nutritious 250kcal snack

Ingredients:

25g soya mince (aka TVP) (80kcal)
1 low-fat instant soup sachet (65kcal)
Spices (to taste) (10kcal, say)
Boiling water (0kcal)
3 slices dark-rye Ryvita (95kcal)
(Ryvita is a dense, high-fibre crispbread)
-- optional --
1 mineralised multivitamin tablet (?kcal)

This simple snack is best prepared in an old Pot Noodle container or similar. Sprinkle the soup and spices over the soya and rehydrate with about a mugful of boiling water. Stir well and cover for five minutes. Break up the Ryvita and immerse in the mixture. Add a little more boiling water and stir, aiming for a thick consistency when the Ryvita has disintegrated. Cover for another five minutes and stir once more. Eat slowly (it's still hot!), then swallow the multivitamin tablet.

Nutritionally, this snack is extremely rich in protein (equivalent to 11-12g of egg yolk protein), high in fibre, low in calories, low in fat, and provides a very good base for digesting multivitamins.

Even if you're dieting VERY heavily (say 1250kcal/day for a woman; 1500kcal/day for a man) a balanced diet built around this snack will easily provide all the protein you need daily. You should also treat the multivitamin tablet as mandatory and ensure you eat lots of green vegetables (peas, spinach, broccoli..) and acidic fruit (apples, oranges, grapefruit..), a soluble-fibre cereal (eg oat bran with a calcium-enriched fresh* soya milk, perhaps sweetened with jam?) and SOME fat too (typically from condiments: avoid meat). I also recommend bulking your intake with mushrooms, which are highly nutritious and very low in calories. You should also do your own research into human nutrition: I've cut several corners giving this oversimplified advice; nevertheless, no well-nourished dieter will suffer much by following it for at least a month unless you literally starve yourself. Clue: if you catch cold, eat more.

In the longer term, aim for a varied, balanced, weight-sustaining diet, ideally without any red meat, or even white meat. Though I personally don't eat any meat or fish (except carrion) for ethical reasons, certain fish are (admittedly) highly nutritious. Remember though: the higher up the food chain you go, the denser foods are in all nutrients (especially calories!) so the less your body needs, and the more you need to eat to feel 'full'.

*UHT soya milk is no more pleasant than UHT dairy milk. Try the fresh stuff.

Saturday, 21 March 2009

squash rackets: ten essential rules

These rules are intended for novice, amateur and generally friendly play.

1. First serve is decided by a spin of the racket, all of which are dissimilarly marked (often with 'your serve' and 'my serve' printed on opposite sides).

2. Points are scored only by the server, whenever the non-server doesn't make a good return; if the server doesn't make a good return, non-server wins the right to serve. Games are scored first-to-nine points, unless eight-all is reached, in which case the then non-serving player may announce "set ten" to force a ten point game. British games never go beyond ten points, except in doubles play (forget it).

3. The server decides which side of the court to serve from first; this is the 'even' side for that game. (Whenever the sum of the scores is even, a player must serve from that side, and vice versa).

4. The out-of-court line is highest, and stretches right around the court, sometimes horizonally, sometimes diagonally. The highest horizontal marks the front of the court. If a ball hits a wall anywhere above this line, or hits the ceiling, it's out.

5. Every shot must hit the front wall before it bounces on the floor. A serve must hit it directly, and always above the front 6ft 'cut line'. A return may strike it indirectly, and need only hit above the front 19in 'tin' line, so called because a metal plate is often fixed below it; this makes an obvious noise when a ball strikes it.

6. To begin a rally, the server throws the ball into the air. A thrown ball must not bounce before it is hit by the server, so a ball thrown by the server but not hit concedes the serve. So does not having at least one foot inside the marked square on that side of the court.

7. A served ball must also, if it is not volleyed (ie hit before it bounces) by the non-server, bounce behind the 'short-line' that forms the front of each service square, and also in the non-server's half of the court.

8. A ball cannot be returned if has bounced twice on the floor after striking the front wall.

9. A ball was not properly returned if it was struck twice, or if it bounced on the floor before hitting the front wall (directly or otherwise).

10. Players must actively allow their opponents to reach the ball and so play a legal shot. A point is granted (or serve awarded) is a player fails to do this. A let (replay) occurs when a player makes a good return but cannot also 'vacate' the court. (Hence, lets are relatively frequent in amateur play).

Wednesday, 11 February 2009

Already stirring

On the Metaphysics of Sexual Love (1819?)
   by Arthur Schopenhauer (ed: Maher Coen, after Jill Berman)
"..and then she experienced the sensation that within her womb some new cells awakened, new fingers, new mouths, that they responded to his entrance and joined in the rhythmic motion.."
   - Anaïs Nin, "Elena" (published 1978)

One cannot doubt either the reality or importance of [sexual] love. Instead, therefore, of wondering why a philosopher for once in a way writes on this subject, which has been constantly the theme of poets, rather should one be surprised that love, which always plays such an important rôle in a man’s life, has scarcely ever been considered at all by philosophers, and that it still stands as material for them to make use of.

It is not my intention to be either influenced [by] or to contradict what has been written by my predecessors; the subject has forced itself upon me objectively, and has of itself become inseparable from my consideration of the world. Moreover, I shall expect least approval from those people who are for the moment enchained by this passion, and in consequence try to express their exuberant feelings in the most sublime and ethereal images. My view will seem to them too physical, too material, however metaphysical, nay, transcendent it is fundamentally. First of all let them take into consideration that the creature whom they are idealising to-day in madrigals and sonnets would have been ignored almost entirely by them if she had been born eighteen years previously.

Every kind of love, however ethereal it may seem to be, springs entirely from the instinct of sex; indeed, it is absolutely this instinct, only in a more definite, specialised, and perhaps, strictly speaking, more individualised form.

If, bearing this in mind, one considers the important rôle which love plays in all its phases and degrees, not only in dramas and novels, but also in the real world, where next to one’s love of life it shows itself as the strongest and most active of all motives; if one considers that it constantly occupies half the capacities and thoughts of the younger part of humanity, and is the final goal of almost every human effort; that it influences adversely the most important affairs; that it hourly disturbs the most earnest occupations; that it sometimes deranges even the greatest intellects for a time; that it is not afraid of interrupting the transactions of statesmen or the investigations of men of learning; that it knows how to leave its love-letters and locks of hair in ministerial portfolios and philosophical manuscripts; that it knows equally well how to plan the most complicated and wicked affairs, to dissolve the most important relations, to break the strongest ties; that life, health, riches, rank, and happiness are sometimes sacrificed for its sake; that it makes the otherwise honest, perfidious, and a man who has been hitherto faithful a betrayer, and, altogether, appears as a hostile demon whose object is to overthrow, confuse, and upset everything it comes across: if all this is taken into consideration one will have reason to ask—“Why is there all this noise? Why all this crowding, blustering, anguish, and want? Why should such a trifle play so important a part and create disturbance and confusion in the well-regulated life of mankind?” But to the earnest investigator the spirit of truth gradually unfolds the answer: it is not a trifle one is dealing with; the importance of love is absolutely in keeping with the seriousness and zeal with which it is prosecuted. The ultimate aim of all love-affairs, whether they be of a tragic or comic nature, is really more important than all other aims in human life, and therefore is perfectly deserving of that profound seriousness with which it is pursued.

As a matter of fact, love determines nothing less than the establishment of the next generation. The existence and nature of the dramatis personae who come on to the scene when we have made our exit have been determined by some frivolous love-affair. As the being, the existentia of these future people is conditioned by our instinct of sex in general, so is the nature, the essentia, of these same people conditioned by the selection that the individual makes for his satisfaction, that is to say, by love, and is thereby in every respect irrevocably established. This is the key [to] the problem.

What manifests itself in the individual consciousness as instinct of sex in general, without being concentrated on any particular individual, is very plainly in itself, in its generalised form, the will to live. On the other hand, that which appears as instinct of sex directed to a certain individual, is in itself the will to live as a definitely determined individual. In this case the instinct of sex very cleverly wears the mask of objective admiration, although in itself it is a subjective necessity, and is, thereby, deceptive. Nature needs these stratagems in order to accomplish her ends. The purpose of every man in love, however objective and sublime his admiration may appear to be, is to beget a being of a definite nature, and that this is so, is verified by the fact that it is not mutual love but possession that is the essential. Without possession it is no consolation to a man to know that his love is requited. In fact, many a man has shot himself on finding himself in such a position. On the other hand, take a man who is very much in love; if he cannot have his love returned he is content simply with possession. Compulsory marriages and cases of seduction corroborate this, for a man whose love is not returned frequently finds consolation in giving handsome presents to a woman, in spite of her dislike, or making other sacrifices, so that he may buy her favour.

The real aim of the whole of love’s romance, although the persons concerned are unconscious of the fact, is that a particular being may come into the world; and the way and manner in which it is accomplished is a secondary consideration. However much those of lofty sentiments, and especially of those in love, may refute the gross realism of my argument, they are nevertheless in the wrong. For is not the aim of definitely determining the individualities of the next generation a much higher and nobler aim than that other, with its exuberant sensations and transcendental soap-bubbles? Among all earthly aims is there one that is either more important or greater? It alone is in keeping with that deep-rooted feeling inseparable from passionate love, with that earnestness with which it appears, and the importance which it attaches to the trifles that come within its sphere. It is only in so far as we regard this end as the real one that the difficulties encountered, the endless troubles and vexations endured, in order to attain the object we love, appear to be in keeping with the matter. For it is the future generation in its entire individual determination which forces itself into existence through the medium of all this strife and trouble. Indeed, the future generation itself is already stirring in the careful, definite, and apparently capricious selection for the satisfaction of the instinct of sex which we call love. That growing affection of two lovers for each other is in reality the will to live of the new being, of which they shall become the parents; indeed, in the meeting of their yearning glances the life of a new being is kindled, and manifests itself as a well-organised individuality of the future. The lovers have a longing to be really united and made one being, and to live as such for the rest of their lives; and this longing is fulfilled in the children born to them, in whom the qualities inherited from both, but combined and united in one being, are perpetuated.

Unabridged text: http://ebooks.adelaide.edu.au/s/schopenhauer/arthur/essays/chapter12.html